June Gloom
Remarkably Bright CreaturesJune Gloom names the cloudy, drizzly June weather surrounding an evening at the Shop-Way. Rather than turning weather into a dramatic event, the novel lets it gather around ordinary errands and conversation: the empty checkout lanes, grocery bags, receipts, and a forecast no one needs to hear. Its grayness becomes a quiet setting for Tova Sullivan and Ethan Mack as each carries private loss into a familiar routine.
Weather and Setting
The phrase first appears as a chapter heading, then returns in the characters’ remarks and in Tova’s decision to leave before the forecast. It is past ten at night; the checkout lanes are empty, and the new boy who has been bagging groceries has retreated to a bench near the deli counter. Ethan comments on the unusually sunless stretch, and Tova answers simply, “It’s been drizzly.” His complaint that he has forgotten what the sun looks like gives the weather a human measure: not a storm or a sudden change, but a persistent absence noticed over time.
The scene makes June Gloom feel less like a single bout of rain than the evening’s prevailing condition. Ethan’s duck comparison casts the weather as something he generally lets roll off his back, yet even he admits that the lack of sun has registered. Tova does not contest his description or try to brighten it. Their brief exchange establishes a shared, low-key recognition of the season, with the Shop-Way’s late-night quiet giving that recognition room to linger.
Errands and Remembrance
Tova’s groceries are arranged with the attention of someone accustomed to noticing practical details. The new bagger places her strawberry and marmalade jams side by side; they clink as he adds coffee beans, green grapes, frozen peas, bear-shaped honey, and tissues. Tova checks the receipt to confirm the buy-one-get-one-half-price offer was applied. The detail reflects the everyday precision of her shopping, while the tissues open a more personal strand of memory: she began buying the expensive, lotion-soft kind when Will Sullivan was in the hospital, where the tissues were rough. She has kept buying them because she is now accustomed to them.
The weather does not cause this recollection, and the scene does not present the tissues as a symbol with a single meaning. Instead, a routine purchase quietly preserves the trace of Will’s illness in Tova’s present-day habits. The juxtaposition is characteristic of the passage: outside, June remains gray; inside, ordinary objects carry histories that are not announced but remain close at hand. Tova’s shopping continues, even as those histories accompany it.
Loss in the Checkout Scene
Ethan notices the circular, purplish sucker mark on Tova’s wrist, left by the octopus that grabbed her days earlier. As he smooths receipts into neat white stacks, he clears his throat and offers condolences for her brother’s death. The gesture brings another bereavement into the same quiet setting. The bruise has hardly faded, and the condolence arrives without ceremony; both are visible reminders of recent events in a scene otherwise organized around groceries and store work.
June Gloom therefore frames more than a conversation about sunshine. The exchange places Tova’s immediate physical mark, her brother’s passing, and the remembered hospital care for Will alongside the ordinary business of checking a receipt. The passage does not claim that the weather explains her grief. Its contribution is tonal and structural: the gray evening holds these separate facts together without forcing them into a single dramatic confrontation.
From Drizzle to Fog
Tova leaves before the television weather forecast, not because she expects better news but because she already knows it will be cloudy and drizzly—more June gloom. The forecast is anticipated rather than heard, making the weather feel familiar enough to be routine. The phrase closes her part of the scene with recognition, not surprise: another forecast would only confirm what the evening has already made plain.
The next chapter shifts to Ethan outside the Shop-Way at midnight. He sits on a bench puffing his pipe; halos gather around the streetlights, a ferry horn sounds in the distance, and the chill seeps down his collar. This later image extends the book’s use of dim, unsettled weather into the night, though the passage does not explicitly identify that fog as the same drizzle. Together, the scenes make June Gloom an understated atmospheric frame: a lack of sun at the grocery store gives way to fog and cold around Ethan, while familiar work, errands, and remembered losses continue beneath the gray.